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Tah Dah Duo Drop Earrings by Twyla~

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Hi Everyone!
I am excited and happy to share my first free tutorial with all of you. With the holidays just around the corner I have to say, I am a huge fan of a project that will make a wonderful gift and can be completed in an afternoon or an evening. These things guided me in my inspiration and creation of this tutorial.

If you wish to share this tutorial, please link people to this blog post rather than sharing my tutorial file or redistributing it in any form. Thank you for respecting my rights.

For a downloadable and printable PDF copy please visit  "here" .  I hope you like my tutorial and  enjoy creating this project.














































 If you wish to make the matching bracelet to these earrings,  you can find the
Tah Dah Super Duo Bracelet  tutorial in my Etsy store, Lady Abeada.

My Design Approach ~Valorie

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Hi, all!  During my time as a Maven I'm delighting in getting to know my fellow designers!  I love learning about artists and their design processes and inspirations.  I've learned that designers differ in their approach:  Some plan everything out and have a routine, methodical way they go about things.  Others are spontaneous and don't plan anything- they go with the flow.  Still others are somewhere in between, a mix of the two.  I thought you might want to see how I approach design and what inspires me.

I like to think of myself as a "breezy" designer, an easy, breezy, go-with-the-flow artist.  I don't really plan anything and I have to wait for the inspiration to come to me.  I don't have a routine, I don't calculate or plan, and I only sketch a design if I get an idea while working or when I'm busy and don't have time to run to the beads and try my idea.  I'm more apt to sketch a design after I've made a piece in preparation for tutorial writing so that I can remember what I did.  

When I'm designing I go with the flow.  I may start with an idea of a general shape that I want but the beads are the boss and I do what they tell me to do.  Most often I will bead, ripping it out if it doesn't look good, re-bead, rip out, re-bead... until I like what I made.  After I have a prototype figured, I sit down and try to remember how I made it.  I do rough sketches and sometimes I'll do another prototype based on those sketches.  When I have it down correctly, that's when I begin my illustrations and tutorial writing.  Below is an example of my scribbles of my Romanov design prior to writing the tutorial:

My scribbles and chicken scratch!  :)

What inspires me?  I don't usually design for something specific.  I'm more inspired by a feeling, a color, a season, an idea, a time period, something broad and nonspecific.  I also design around a shape; for instance, a bead shape.

Sometimes I design around a color.  I'll pile my beads on my desk and play with them and pick a color!  I then go "shopping" in my inventory and pick out beads to accompany the one I chose.  I'll pull contrasting colors, complimentary colors and monochromatic versions based on the color of the bead.  I'll then sit down and cull the color schemes.  I toss the beads together and then decide if I want a high contrast piece or a monochromatic piece.  Once I choose my beads and color scheme I decide on my shape and design.  


Other times, I'll design based on a feeling or a season.  Do I want something crisp, clean, wintry and sparkly to evoke Winter?  Do I want something light, carefree, casual and easygoing for Summer?  Do I want something bright, clean and fresh for Spring?  Do I want something warm, comforting, earth-toned or spicy for Autumn?

This was created with Winter in mind- it was purchased to be a Winter Wonderland parade costume accessory!

This was created with Spring gardens in mind.

This was created with hot, Summer sunsets in mind.

This was created with Autumn in mind.

I have been known to design around the shape of a bead (in fact, it's what I do best!)  I'm passionate about Super Duo beads and most of my designs incorporate them.  I'm also in love with Czech rounds and I love them so much more than crystals!  For me, there's something soothing about simple, no-frills beads and rounds fit the bill for me.  Recently I was asked to design something that incorporates Brick beads and this is what I came up with:

My Pathways bracelet, soon to be a tutorial.

Oftentimes I'm inspired by antiquity.  I love to watch old movies and gaze at the jewelry.  I'm a huge fan of ancient jewelry and when I do metalwork I like to try to capture the feel of something very old.  When I was designing my Czarina bracelet, I wanted to bring a little bit of an older feel to it while using modern beads.  I wanted something with a hint of lace but still something that wouldn't look odd to wear today.  


So, there's a peak at my approach.  There is no right or wrong way to design!  I've met phenomenal designers and they all have different design styles.  What's your style?  

Welcome Back Guest Blogger and former Bead Maven Callie Mitchell :)

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I must admit I was thrilled when Callie accepted my invitation to be a guest blogger...I loved working with Callie on the Mavens so it's great to see her back in a guest spot :)

Callie Mitchell

Many thanks to the fabulous Bead Mavens for inviting me to be a guest on their fabulous new blog!  This page is fast becoming a “go-to” site for all beaders interested in great design and the latest news in all things Beading.  It’s an honor to be here, and it’s great to have the Bead Mavens back again!



I’m also glad to be back designing again after a summer-long hiatus from beadwork. 

Sometimes it really helps recharge the batteries to spend a little time doing other things.  I find that I think about beadwork design almost constantly, even when I’m not actually at my work table with beads in hand. And my summer break was a good time to reflect on where I’ve been as a beader, and where I’ll head in the future.





Kathryn Howard Necklace
 When I got back to work, one of the first pieces I wanted to complete was the Kathryn Howard necklace.  For the past several years in an on-again, off-again way, I’ve been creating jewelry pieces to represent Renaissance Queens.  I’ve made a cuff for Mary Queen of Scots, a bracelet for Elizabeth I, and necklaces for Isabella of Castile and Catherine of Aragon.  Translating designs from other periods, made with different materials and techniques, is always a challenge.  I deliberately kept the palette soft and rather monochromatic in this design, as the details were quite varied – scalloped St. Petersburg chain, chaton-embellished structural component and natural pearl accents.  I was trying for a fresh and youthful, though elegant look.  The necklace is an investment in time to create, but it’s definitely glamorous. 




Carousel Cuff
After Kathryn Howard, I wanted something simpler to work on.  Geometric beadwork designs are very much in vogue right now, and though my Carousel cuff isn’t a dimensional piece, it is every bit geometric.  I chose bold color palettes for this one, in primary colors and gold, as the shapes are geometric primaries in themselves – triangle, rectangle, circle.  As I worked on this piece, it struck me how much the design evoked childhood memories of a carousel, with pennant flags waving  in the breeze and shields brightly blazoned around its overhang.  Peyote stitch, both flat and circular, as well as brick stitch are employed in the design, and it makes up fairly quickly.





Noughts and Crosses Bracelets

During my “quiet time” this summer I also began to think about a future direction for my beadwork and found myself really going back to my roots as a beader.  I’ve spent a good bit of time these past few years exploring dimensional and complex designs and I find that I’m yearning for simplicity.  This week I worked up a new Tila bead design that fills this bill for me.  The “Noughts and Crosses” bracelet can be made in under an hour but is nevertheless richly textured and has, I hope, a “more than meets the eye” quality.  I chose really rich color palettes for this style, to act as a counterpoint to the simplicity of the design itself. I'll be working up tutorial for this fast and simple bracelet in the coming weeks.

I think simplicity in design can – and should – nevertheless be sophisticated and varied.  Designwise, right now I’m heading back toward basic ropes, flat work, beaded beads worked up in deep, rich colors, suitable for daytime, night time, any time. 
 I’m glad to be back at my beading table, and thanks for having me here, Bead Mavens!








A Few of My Favorite Things and a Special Giveaway~Twyla

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Favorite Thing # 1:

As some of you that know me are aware, at times I like to dabble with a little mixed media in my  jewelry making. One of my favorite things to do is combining bead work with filigree or metal stampings, so I thought I would share with you my #1 favorite  place on the internet to purchase filigree and metal stampings from. Whenever I am looking for a unique but affordable piece of filigree... this is my go to site!! Vintage Jewelry Supplys
The site is owned by Susan Street and as I said, has one of the best selections of filigree and stampings to be found on the web.... AND the prices are incredibly affordable!! Not only do they carry filigree and stampings.... but you can also find beads, cabs, settings, findings and even chain. 


Susan has kindly agreed to give our maven readers a free gift with their first order. Immediately after you place your first order send an email to the attention of their shipping department (Susan@VintageJewelrySupplies.com) mention the Maven blog post and she will send you a free gift of a bead size guide along with your first order!!




Favorite # 2.... Drum roll please......



Cabella's Braid scissors!!



These little gems are the bomb! How many pairs of scissors have you ruined cutting fireline? I was on my third pair when these were made known to me by a good friend. They are about four inches long, very lightweight and are specifically made to cut fireline and the braided fishing lines! They are stainless steel and have tiny serrated blades and talk about affordable.... only $3.99 for these scissors at Cabella stores everywhere! It is so nice to cut the fireline and have it be a nice even smooth cut--no more mashing or fraying for me! Find them online here:  Cabella's Braid Scissors



Favorite thing # 3:



I am sure all of us would love to be able to afford a pair of the wonderful Craftoptic lenses, right? I know I would.... unfortunately, I am not at that place yet.... so for me the next best thing is my magnifying readers. I love them.... You can find them at Fred Meyers, Walgreens or Walmart for about $7-8 dollars, among other places  and they come in varying strengths. I like them because they give me the flexibility of being able to look over the top of them to see normally or to look through them and see things up close and personal. No more neck and back strain for me, thank you very much! :)


Favorite Thing #4:



Last but not least.....



I mentioned in my bio that Kelly Wiese is one of my favorite Bead work Designers so I thought it would be a fitting culmination to the "Few of my Favs blog post"  to do a Special Giveaway of her newest and latest book: A Beaded Romance, plus I am throwing in a pair of the Cabella Braid Scissors!! What do you have to do to have a chance at winning this prize? Simple.... Go to my personal blog: Lady Abeada ,follow my  blog and leave a comment on my blog telling me why you would like to win the book and the scissors. If you are already a follower of  the Lady Abeada blog.... just leave a comment for me. The winner will be chosen by random draw and announced on my blog October 17th, 2013. Good Luck to All!!

 
Do you have some favorite things you would like to share with everyone??Please share them with us in the comment section  below! :) Til next time--Bead True to Yourself!



The Perfect Connection

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Hello and thank you for visiting.
My first post for Bead Mavens I want to share some of the "tricks" I use when working with FireLine.

I started beadweaving in 2007 and was taught to use Nymo.  I became pretty proficient with Nymo but was not happy with how it shredded, how hard it sometimes could be to thread the needle and I didn't like how you always had so many threads to sew down when you had finished your creation. Then I purchased Diane Fitzgerald's book Shaped Beadwork and she talked about using a thread called FireLine. 

Berkley FireLine is a nylon thread used for fishing, can be purchased in 1lb, 2lb, 4lb, 6lb, 8lb strengths which are ideal for bead weaving and even higher strengths which can be used for bead stringing. FireLine fishing line comes in Crystal (white), Smoke (grey/black), Fluoro Lime Green, Fluoro Pink and now Berkley is releasing reels in limited colours aimed at beaders. I am primarily a beadweaver so I will talk about the main threads I use - 4lb and 6lb weights.

Diane Fitzgerald taught - on pages 14-15 of her book - how to not have a tail in your beadwork, securing a knot by melting the ends of the thread with a cigarette lighter. I used this technique one day, started weaving and almost finished a round when I realised I had the wrong count. Frustrated with the mistake I tried to pull the ring of beads apart. It would not come apart and I came close to cutting my hands.
That was when I realised a way of joining two pieces of Fireline together and I have been doing it ever since.

HOW TO JOIN YOUR FIRELINE  


Things to remember:
1) when melting, take the FireLine end towards the base of the flame, NOT the top
2) do not make the 'blobs' of melted FireLine too large. 
3) do not allow the FireLine to catch alight as it becomes brittle and breaks easily
4) the reef knot does not need to be tight, just loosely pulled together.
If you are having problems seeing the video above try the link below:

http://www.youtube.com/watch?v=JdHD23yzB-I

When I teach this to my students often they are unable to pull the blobs together fearing breaking the thread. Give it a good tug and it should slide together. If it still won't slide then the reef knot you tied is possibly not allowing it to happen and you may need to try again. 

A 'blob' join in 4lb FireLine will travel through size 15s - yes size 15s!!
HOW THE JOIN TRAVELS THOUGH SIZE 15/0 SEEDS 



NOTE: if I already have a lot of thread passes I do not use a 'blob' join as you may break beads pulling the join through. Be discerning when to use this type of join and when NOT to use it.

I have also used a 'blob' join with 6lb FireLine and size 15/0s but I don't like to push my luck as you may have success for nine beads and then the tenth bead may break - very annoying. A 6lb Fireline 'blob' join is fine for size 11/0s and larger seed beads.  

Which brings me to my next "trick" - JOINING IN MORE FIRELINE.

If the area won't take a 'blob' join I melt a blob on a new thread, thread my needle with the other end. I choose an out-of-sight area, sew through a few beads, pull the thread through until the blob catches - do not tug it through - I sew a half hitch knot, pass through a few more beads, sew another half hitch knot and continue to exit where my old work thread is. I then tie the new and old threads with a reef knot and sew down my old work thread. The blob will not pass through the half hitch knots and you have a secure join.

I get pretty frustrated with 'tails' when I start beading, without fail I seem to get the tail tangled in my work. Whenever I can I make a join that does away with tails. 
HOW TO AVOID HAVING TAILS


FINISHING AND SEWING DOWN. As we know some ending threads manage to unravel after a period of being worn and handled. When sewing down FireLine I do the usual few half hitch knots, when I cut my thread I cut leaving about 3-4mm showing (1/8") I then use my lighter to quickly melt that small amount into a blob which disappears into your work. This melting hinders the thread from unravelling. NOTE: I do not use this ending near galvanised beads as I have had some change colour. Again be discerning when to use this method and when not to use it.

Every beader I have taught these methods to has never looked back and I am always thanked for sharing this information.  Give it a go on a practice piece and see for yourself how it really does work.
You have nothing to loose and everything to gain.

Happy Beading

Patrick

All videos were taken by my dear friend Neva Brown of Nifty Creations, also a talented bead artist.
http://www.niftycreations.com.au

Guest Blogger JUNE Wiseman.....yes, I said JUNE!!!

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Two of my favorite people on Planet Bead are Jill and June Wiseman, their banter on Facebook, from different computers in the same house, makes me smile, laugh and sometimes have fits of hysterical, hyperventilating, tear streaming giggle fits. They should be a sit-com.  They tell what its really like living and working full-time in the bead world but with a humor that just makes you happy you're in the same world.  As 'star' Jill gets more and more of the limelight (well deserved) I thought I'd shine a little spotlight on June.
So I'm happy to welcome....

June Wiseman


Birth of a Kit
I’m June Wiseman, the mother of Jill Wiseman, part of Jill Wiseman Designs, formerly Tapestry Beads. Most people know of Jill’s designs, but don’t know that I also design for the business. While Jill is our “front man” (front woman? front person? Front clown?), I generally work more behind the scenes.
A lot of people ask us how we come up with our ideas. Many designers have tried to answer this question. Usually their answers involve being inspired by architecture, nature, etc.  And to some extent, that’s true – sometimes you’ll see something and try to figure out how to represent it in beads. Being a simple girl, I tend to use less esoteric methods.


Design Technique 1: What if?
What if I used a size 15 bead instead of an 11? What if I used a twin bead here? That’s exactly how our Shell Game came about. Working a double spiral variation, I wondered what it would look like if I used bugles instead.

Shell Game has been one of our most popular kits in 2013.
Design Technique 2: A goal
Another way I design is to start with an idea of what I want to accomplish. For example, I knew I wanted to do some kind of a bracelet with flowers on it.  I decided to use netting for a base, because I knew I would be embellishing it, and I didn’t want the bracelet to get too heavy. After I finished the base, I pulled a bunch of beads, and started playing. I experimented until I came up with a flower that I thought would work. I made probably 10-12 variations before I was happy with it. Sometimes Jill thinks I’m nuts with trying to get it just right, but then I think she’s nuts, so we’re even. And besides, I’ve seen her do the same thing to get it right.
After I found a flower I was happy with, I made a bunch of them in related colors, then laid them out on the netted base. I decided I would need some leaves to fill in.  I made the leaves on the base first, then sewed the flowers on, using a crystal to add a pop and help secure the flowers on the base. The result was our Ramblin’ Roses.  We refer to the color below as “blurple”. It’s a technical term.


Design Technique 3: Start with what you love
I love spiral herringbone, and decided to make a lariat using it. Really, it was just an excuse to do herringbone and pretend I was working. I had a vague idea of incorporating flowers on it. After I finished the length of the lariat, I went back and added some leaves and little flowers. The leaves are fairly common, and I had also previously used them other bracelets. For the flowers, I just started experimenting again until I came up with a small bunch of color that I liked. For the ends, I did branching, again with my leaves, and experimented to get a slightly larger pop of color for the flowers.  



After I finished it, I wore it for a few days. We try to do this with all our designs, to see if they are really wearable. What I found was that the small flowers and leaves at the back of my neck got all tangled up in my hair. So I went back and ripped out the embellishment at the back. The result was Twining Vine.
I deliberately made Twining Vine without crystals to make it a little less flamboyant. (Jill said, "What? No crystals? Are you nuts?") Sometimes, particularly during the daytime, not everyone wants flashy and blingy. So then, of course, people asked for me to make a more flashy and blingy Twining Vine. Our good friend DollyAhles said she thought black, gold, and pink would be pretty. Jill didn’t think so. I ignored Jill and made Sparkling Twining Vine. I used Swarovski crystals, and made the branching longer. It turned out great and really is a head-turner. Thanks, Dolly!



Making the Actual Kit
After a project is designed, photos are taken, and the instructions are written. Supplies are ordered – Jill does the ordering and whines about it all along the way. We get seed bead amounts in kilos and half-kilos. If the Feds monitored her e-mail, they’d think she was a drug dealer. 
Our bead room was converted from a bedroom. We have shelves and shelves of seed beads in plastic storage containers.  We have a revolving rack for Swarovski and firepolish crystals. And we have a large seed bead stash for designing. 



When we’ve received the supplies, we start makingthekits. Before a big show, we spend weeks and weeks makingthekits. This is when I start whining.

We generally make between 15-20 kits for a new design initially. Take Ramblin’ Roses as an example. There are 7 colors of size 11 seed beads in the kit, plus crystals, snaps, Fireline, and needles. To make 20 kits in 2 colors, we’ll use 520 plastic bags. Of those, 440 will have labels printed and put on them. We calculate the amount of seed beads for each color and weigh them out.  When all the contents are weighed or counted and bagged, we put them in a larger baggie to keep them all together.

Instructions and kit covers are done on a color laser printer, and we go through reams and reams of paper. A cover, the instructions, and the baggie with the kit contents are put in a 6 x 9 inch baggie, and the kit is ready to go out the door.  It can get tedious when you’re making lots of kits in lots of different colorways.

What I hope you take from this blog is that giving birth to a design is easier than giving birth to a child. If you want to design, try asking “what if” and then experiment. Start with what you love. You may just come up with something fabulous. Oh, and the other thing you should know? Makingthekits isn’t always fun. And Jill whines.

For the Lovers of small, delicate Pieces

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Patrick presents his Rivoli Pendant and you can download the tutorial here.






Should you wish to see what other tutorials I have in my Artfire store click on the purple avatar on the right hand side of the blog or the link below.

http://www.artfire.com/ext/shop/studio/patrickduggandesigns

Thank you.......Patrick

Guest Blogger ~ Sharri Moroshok

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In chatting with the Mavens about who we wanted as guest bloggers, what we wanted to bring to you and to learn ourselves, one of the things that came up was how to make it work as a business.  There are so many ways to sell what you do, but what works?  We needed some people with experience and first up to share their experience with us is the Queen of the Beaded Bead.....

Sharri Moroshok

I was delighted when Mikki asked me to write a guest blog post for Bead Mavens. The topic is – my adventures as a bead designer/teacher who also sells my finished jewelry.

So, here are my bona fides:                                                         


I began doing beadwork and creating beaded beads in the early 1990’s.  I set about the things we all do as novices – placing jewelry in local galleries and doing local craft fairs. I had a bit of success with this and so I ventured further afield and  traveled the U.S. to many of the major bead shows. This was in the boom times of the mid to late 90’s.  But even then I had to add teaching to my agenda to realize any true profit beyond just paying my show bills and buying materials.

Then came 9/11/2001 and the burst of  the Tech Bubble. In a weaker economy Gallery sales began to diminish. Show sales dropped while expenses relentlessly increased. In response I diversified my booth more. I started selling kits and reselling some beading supplies. I created a website. I advertised in Bead & Button Magazine. My gross sales at shows did increase, but it seemed no matter what I did my expenses always outran my income. 


Tired out from years of travel, in 2007, in partnership with a good friend and fellow jewelry artist, we opened a brick–and-mortar art gallery.  The economy was lack luster in 2007, but still we had enough success to move from our small initial location and expand the Gallery in early 2008.  It was interesting that jewelry sales (especially my own and my partners work) were some of the strongest selling items in the shop. I stopped doing shows completely and I also stopped traveling to teach. Then yet another economic bubble burst in September 2008 followed by The Great Recession. What can I tell you? The art biz fell off the cliff.  We hung in through 2009 and 2010 and finally closed our doors in January of 2011.


So, what to do now? I was now 60 years old and just not loving the idea of schlepping a booth from show to show around the country.  Neither did I want to rely on consignment jewelry sales in struggling galleries.  I could focus on teaching. But, to be honest, I really just wanted to work from home.  I looked around at the landscape I had to work with. And lo and behold – it’s really true! Doors close, doors open.  The internet had really come of age and Social Media had appeared.

Gathering up everything I had learned from all these experiences I decided to open an Etsy shop. Then I started a Facebook Fan Page.  Almost 3 years later I now have a thriving online shop TheBeadedBead.etsy.com  in which my jewelry as well as my kits and tuts sell well, and a Facebook Fan Page Facebook.com/TheBeadedBead with nearly 5,000 Fans. I can do this from the comfort of my home and studio with the lowest overhead I have ever had.
So I will share with you some of what I think makes my shop work. It may not be a formula for success for all, but maybe there are useful elements for others to consider.


  • You have probably heard this a million times but it bears repeating – the internet is all about visuals.


  • You must have great pictures of your jewelry or it will never sell online.
      You don’t need a fancy camera or photography setup. Do some online research - there is a wealth of information out there.  Edit your pictures. You do not need to learn Photoshop (I am still totally mystified by it).  I use an online photo editor called PicMonkey. It does everything I need to do with pictures.  If you are going to sell finished jewelry online you need to learn to love doing product photography. Period.
  • I know many people have separate online shops for their finished work and their tutorials/kits and supplies.  My experience in my teaching, my show booth and my brick-and-mortar shop taught me that a well curated and interrelated variety of items work to sell each other. So, I keep everything under one roof in my etsy shop. I have many transactions that combine items from all 3 of my sales categories. It’s kind of like a miniature department store. Some people shop around and gather and some are very targeted paying attention to only one shop section. It works for both kinds of customers.
  •  Advertising/marketing of some sort is a must. There is no such thing as “build it and they will come”.  Luckily, if you are doing business online, there are some free things you can do to shout about your work. The first thing I will say is not technically advertising. It is SEO (Search Engine Optimization).  It means having a system of internal links and key words that search engines recognize integrated into your shop item titles, descriptions and tags. Here again, you don’t need to become an expert. You just need to do a little research. Read about it and then do your best to optimize your shop. But you can’t stop there. The next thing is you must engage in social media. Choose your platform – Facebook, Twitter, Pinterest,  etc  – whatever your choice is, make it only 1 or 2 at most.  Then work it!  Don’t simply post about what you have for sale, this is where you get to work that magic that happens at Fairs and Shows or in galleries when you or the gallery sales person tell people something about your art, your process, and you, the artist. Communicate! You now have a targeted audience and a free international platform to do this. How amazing is that??


  • The last thing I will say is – it’s a job, this business of selling your art.  If you want to sell your jewelry online you have to work at it in at least one of the above ways almost every day. I know for me, it’s a labor of love!   





Mandi Designs Like A 12 Year Old

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June's awesome post about the birth of a kit and her design techniques led me reflect on the evolution of my own design process. Today, I want to share a little story with you.


Mandi Ainsworth
a sample of  my beadwork at age 12, found in my grandma's jewelry box 14 years later

I’ve been in love with beads ever since my grandma gave me her loom at a young age.
I’ve had an entrepreneurial spirit since then, too.
One summer when I was 12, I decided to make some bead money by selling my strung seed bead jewelry. I lived by the lake, and the busiest day is the fourth of July. There was a little store that everyone would buy ice at on their way to the boat ramp, and the owner agreed to let me sell my jewelry in front of his store.
With the date set and the agreement made, I started beading up a storm. I created patterns that I liked, and color combinations that made me happy. I’d finish one design that would spark a new idea for another design. I realize now looking back that I was creating a collection! I didn't think too much about what people would want to buy, and only a few designs ended up red, white, and blue. I stayed up late creating with reckless abandon, just doing what I loved.
The big day came, and I laid out my jewelry on the walkway in front of the store. My sign read bracelets $1, necklaces $2, and leather keychains $5. I didn't exactly get the idea of pricing for my time, but I never questioned the value of my work. I had the mentality of “who wouldn't want one of my cool bracelets?” I ended up making $76 that day, and I felt so rich!
Mandi Ainsworth
My Andromeda Spike Pendant- one of 3 projects I will teach at B&B 2014

If my 12 year old self knew what used to go through my head when I designed, she would kick my *$$! Recent designs have been edited by the thoughts, “What will my colleagues think of this?” and even worse “Is this good enough?” I've held myself back in ways I never did before I decided I want this to be a career. The piece I created for a beading challengejust to have fun, was the piece that ended up in a Beading Daily newsletter.
Now I design like my 12 year old self, and I feel liberated. I haven't had "designer's block" since! I also take time to create things that allow me to be fully expressed as an artist that may not turn into a kit or class. 
Mandi Ainsworth
Rajah, the beaded tiger I'm working on
Some designers don't create things outside of what they're teaching or creating tutorials for, but I know it feeds my soul, so it works for me. 
My design advice is to bead what makes you happy, and get lost in it. Get so lost you have to set an alarm so you remember to eat! Most importantly, have fun!

Seed Bead FAQs ~ Aurelio & Mikki

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Beading FAQ’s

We get lots of inquires on our websites as well as on Facebook from people wanting to start beading, we try to guide them to the best of our abilities, but in general we have found these questions are about the same every time. “How do I choose the beads for my project?” “What size of bead should I buy for …?” “How many beads should I buy?” 


Mikki's Bead Count reference sheet....click for a downloadable copy
As bead artists we know Bead weaving can be confusing if you don’t know the basics or if you are not familiar with the terminology which tends to be very technical, at times even for us. Before you run to the stores and allow yourself to get lost in the midst of these little treasures, make a plan. Know what you need and look for the best quality materials, believe us it will pay at the end. We would be lying if we told you we didn’t have more beads than we can bead in our entire lives. Our point here is for a beginner this can be overwhelming and sometimes discouraging in terms of decision making. 

For the most part we buy beads with a specific project in mind, however sometimes we buy them just because we like them. If that is the case, we buy them in varying sizes and shapes of the same color. That way we have our bases covered and can avoid running to the store in the middle of a project. And if you ordered your beads from an online store it would be a much longer wait to finish your project. 

Beading can be extremely rewarding and possibly life changing, but only if you get all the beading facts right. If not, confusion could discourage you from ever picking up another bead. There are several types, sizes and finishes available. Deciphering the size of the beads can seem quite confusing at first, it is however, very simple to understand. What you need to know is that the number shown as the size is the opposite of what you would actually expect. The bigger the number, the smaller the bead. For example, a size 11 bead is much smaller than a size 6. (The same goes for beading needles!)


Miyuki Bead Image courtesy of Bellomodo.com click to go to the store for a clearer view (and to shop)

Now, that the size confusion is out of the way let’s talk about the different types of beads. Here are a few of the most common types.Our personal favorite (of which we have stashes way too large for one man or woman to bead in a lifetime) the Japanese Seed Bead. Among these you will find the Matsuno, Miyuki and Aurelio's favorite Toho (Mikki is a Miyuki girl). These beads are made with much more uniform shape and size than other types of beads. You can find these in two shapes round and cylinder both shapes have large holes making them easy to work with. 

We also have the Charlottes seed beads AKA One-cuts or True-cuts. Aurelio would say these are his second favorite in the seed family. Why? Well, they have one facet cut into them making them a bit of a sparkle, which in turn give the final project more depth. 




Hex Cut Beads are seed beads that have been cut into a hexagon shape. We don’t have much experience with this type of bead however, they are known to have sharp edges that can cut your thread. Hex cut beads are not the only beads in the seed bead family that can cut your thread, Bugle Beads are just as “dangerous.” Bugles are long tube shaped beads that can be found straight or twisted and come in different lengths. We tend to stay away from the horrors of cut thread....one project that took 3 reweaves was enough for Mikki, but there are some tricks like adding a seed bead at each end of a bugle to save your thread.

Then we have the Czech seed beads. These have smaller holes and are quite irregular when it comes to shape. The irregularity in shape is the reason we who do precision beading stay away from them. They are however, less expensive and wonderful in projects where you don't need as much precision.
Mikki just created a bracelet mixing the precision of a Miyuki Delica with the character of a Czech aged, striped seed bead.....the two distinct sizes within the strand of Czech beads allowed for different effects in the beading.


Mikki's StickleBack cuff for men with Czech beads from Yorkbeads.com

The Cube Beads are made in Japan by Miyuki and Toho, they are small squares with large holes and come in different sizes than the normal seed beads. Those sizes are 1.5mm, 2mm, 3mm, 3.4mm and 4mm. Also in the rectangular family are a new breed of two-hole beads...Tilas which are a flat square 'tile' and a very new half Tila, Bricks which are pretty much self descriptive.

Triangle Beads are also made in Japan with Toho bringing us size 11/0 and 8/0 and Miyuki bringing us triangles or sharp triangles in 10/0, 8/0 and 5/0 sizes.

Drop Beads AKA Tear Drops or Magatamas are as the name suggests tear drop shaped  (though the magatmas are a sort of flattened teardrop). Perfect for accents giving your design a little extra “je ne sais quoi” (that’s all the French Aurelio knows). The Miyuki drops come in many sizes 2.8mm, 3.4mm, and the new long drop which is 3 x 5.5mm. Miyuki also has 4mm Magatamas and long magatamas which are 4 x 7mm.  Toho produces 3mm and 4mm Magatamas.
New drop beads are Rizos or Rice beads and like their name they look like rice grains.

Seed bead shapes are expanding rapidly these these days, it seems there is a new shape every week.  It's overwhelming to keep up and designers are working as fast as they can to create projects to show you how to use all these new beads. Look for Berry, Peanut or Farfalle beads which when woven in RAW (right angle weave) give a great body and look like CRAW (cubic right angle weave.  There are also 2-holed beads Twins and Superduos, Rullas, Piggy Beads, and more we're sure to have forgot....the overwhelming part! But hopefully you have enough to get going.

Peyote Ring by Aurelio

Taking your time to understand the basic tools of the art of beading will help you become a more efficient and prolific artist. Happy beading!

P.S. If you find a good deal on seed beads inbox us! No, really, inbox us!

Business V Hobby ~ Neva

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busi·ness  (bzns)
n.
1. an occupation, profession, or trade.
2. the purchase and sale of goods in an attempt to make a profit.
3. a person, partnership, or corporation engaged in commerce, manufacturing, or a service.
4. volume of trade; patronage or custom.
5. a store, office, factory, etc., where commerce is carried on.
6. that with which a person is principally and seriously concerned: 


hob·by 1  (hb)
n. pl. hob·bies
An activity or interest pursued outside one's regular occupation and engaged in primarily for pleasure.


Most of us start our beading journey as youngsters making items for our school friends, or as adults, making things we would like to wear. Mostly with bounding enthusiasm and a lot of trepidation. Enthusiasm because we can create something from these little components and trepidation because of the uncertainty of what others will think of it, or if it will be strong enough when worn, among other reasons we may think of. 

We usually start out by creating simple items and often gift them to family and friends. As we become more confident with what we create, and delve into more complex pieces, our collection grows and we find it harder to part with pieces that have taken so much time and effort, used so many beads and materials, and has extracted some of our own essence into it.

We continue to learn new techniques, create more complex pieces, and before we know it, we have accumulated quite a collection. At this point we start to run out of storage space, and also of people we can gift to..... What now?

We have 2 options: 
*1 - Stop creating.... not really an option if you're a devout beader.

*2 - Start selling. Probably the better option because it will give us back some dollars to justify buying more beads..... LOL... how many of you have thought that?


OK... so where do we sell though? What do we sell? How many items do we need to display? Where will the people come from? How much do we charge? How do we set up? And the questions go on and on.

Firstly though, we need to decide whether we will be selling as a hobby or a business. This is an important decision, because it will determine how much effort and detail you need to go into. Sometimes it’s difficult to determine whether your activities constitute a hobby or a business. It’s important though, to understand and know the difference between the two because of the various tax, insurance, and legal implications.


What is the difference between a hobby and a business?

The easiest way to find out if you are running a business or a hobby is to ask yourself a few simple questions. Here’s a quick test:
  • Is the activity being undertaken for commercial reasons?
  • Do you have the purpose and prospect of making a profit?
  • Are you regularly and repetitively undertaking the activities?
  • Is your activity planned, organised and carried on in a business-like manner?
If you've answered yes to at least 2 of the above, then its most likely that you want to sell like a business. Later in this article, I'll outline some of the most important steps, that will make business life a little easier.

There are various ways to sell your jewellery. Party Plan, Consignment, Markets, Retail (bricks and mortar shop), and Retail (web based). In this article we will look at these in a little detail.

Party Plan:  The party plan is a direct sales method of marketing products through social events allowing you to start your own business for a very small investment. Party plan selling offers unlimited income potential and you can easily start part-time from your home without the risk of losing your present income. 

One of the easiest ways to start, is to host a jewellery party. Invite your family, friends, work colleagues, neighbours... anyone you wish to tell really.





Hosting parties like this is relatively easy and has no ongoing overheads, apart from the initial set up costs of display items such as busts, bracelet displays etc, and maybe some refreshments. You need to keep in mind though, that only doing it this way, will eventually exhaust your immediate market, unless you have a system in place where guests can book you for subsequent parties, inviting their social networks, and so on. Offering hostess incentives will almost guarantee future parties. 

Consignment: To sell your goods on consignment means that you get paid by the shop or gallery only upon the sale of your items - essentially, you retain ownership of your items until they sell, the store does not buy them outright. This is often the easiest way to get your products into a store and is a good first step if you're just starting out.
Consignment is beneficial for shop owners and designers alike: it allows shop owners to fill their shops with items at no upfront cost to them and lets them test out the saleability of your goods to their customers. For you, it's beneficial as you retain a higher percentage of the sales price on your items than you would selling via wholesale (or, you should!) while also testing your saleability in different markets, and getting exposure in retail shops.
You pay the shop a commission on the sale of your items, as they are working to help market, display and sell your items in the best way possible. You must be mindful though, to choose a store and its location, that suits your product, otherwise you'd be wasting your time and tying your stock up.

Galleries: Another way of giving yourself, your business and products exposure is to find galleries that have seasonal showings, and see if your product is in line with their artworks and vice versa. The general costs involved are relatively low - usually for the hire of the table. Most of these venues will take a commission of your sales, but generally it is a low cost, and very effective way of not only selling your product, but creating public awareness, and a following. I have been doing this type of show for a couple of years now, and find it very profitable. I am humbled that they ask me to be involved in their seasonal art shows.

Remember, it is still important that your customers experience the whole package though. When they go home to open their purchases, they should be reminded of how special they were made to feel, just by opening up their parcels.

Markets: Selling yourwares at craft markets is completely brilliant... you are surrounded by handmade goodness all day, you chat to like-minded people, meet customers face to face and hopefully make a little money too. 
Every market is also about you advertising and marketing your business, getting your name and products in front of people's eyes. You never know who will pick up a business card and contact you later. Many shop-owners go to markets to seek out new and original wares for their store and may contact you about becoming a stockist. There's a lot more to your stall on market day than the sales you get. So when you don't think you've had a good day, count how many business cards have been taken.

Retail Sales (bricks and mortar):
If you want to enter the world of owning a shop, then this is for you. If you like the idea of having a shopfront where your customers come to you, and you have this face to face interaction, then this is perfect..... but it does have some drawbacks. Having the right customers who are cashed up and ready to spend in your store, is not always easy. There are overheads to meet, such as rent, electricity, wages, insurance... just to name a few. You have to make sure that the stock you carry suits the location of the shop or its demographic. You need to ensure that you display different stock regularly to keep prospective customers interested. You need to maintain marketing and advertising. 

If your shop is in a shopping center (mall), then there are the added costs that are determined by center management.

Retail Sales (Web Based): Selling online seems to be the way a lot of people and companies are doing business these days. Although there are a lot of benefits there are also some pitfalls that can consume your time and in some cases some funds. It is important though to analyse your business, to see if selling online could work for you.

Most people jump in feet first into an online selling avenue without doing too much research. Just because it's online, doesn't mean it will automatically work. You still have to research the market to see if your product will sell, and also to find out who else is selling a similar product. 

Four points to consider when starting your online store
  • Do your research. Make sure you know what you are getting yourself into and exactly what you want. 
  • Carry out an online transaction at a store that has inspired you, detail their pros and cons and pass on an even better experience to your customers.

  •  Have a marketing plan to get people to visit your site, whether it be new or current customers.

  • Make sure your website design matches what you are actually selling. 

Some of the many benefits to online selling:
  • Reduced overheads in general, as an online shop costs less to set up and run than a physical store, although it's important to recognize that making eCommerce work requires continuing investment, not only in upgrades but also in your time.

  • Lower marketing costs with better targeting: online promotion can be more precisely aimed at potential customers than using conventional media. It's also much cheaper, for example, to send a marketing message by e-mail to 1,000 customers than it is to send 1,000 newsletters by post.

  • Expanded geographical reach: a local business can become nationwide or even international, just through having an effective eCommerce strategy. 

  • Being open for business 24/7: with automated order and payment processing, sales can be made at any time, and customers can buy when it suits them.

  • Greater flexibility: an online store can be updated instantly and as often as you like, for example, to promote a 'deal of the day' on your front page, without the need for expensive printed display material.

  • Broader potential customer base: an eCommerce business is an additional buying channel, capable of attracting customers who have not bought before.

  • Improved customer profiling, with the opportunity to target products and services at specific groups based on buying data.

  • Increased visibility for your business: with investment in search engine optimisation and online promotion, an online shop becomes more accessible to customers searching for your products.

(Information readily available on the internet)

    Other avenues for selling online are sites like EBay, Etsy, MadeIT, Amazon, Artfire, to name a few. These sites are relatively easy to navigate and even easier to set up your online presence to start listing things. All you have to do is register your name or trading name with them (provided it hasn't already been used), and start uploading your product. Make sure though, that you have accurate descriptions and sizes, including postage. You will have to maintain this site as well.

    Stock Photo - my hobby. fotosearch  - search stock  photos, pictures,  wall murals, images,  and photo clipartHobby: If we decide that business is not for us... that's OK... business is not for everyone, and don't let anyone make you feel like you should be doing it.

    Creating for the sheer pleasure, or to gift, or to sometimes sell to recoup materials cost is very heart warming. It keeps our minds and hands active, and tends to connect us to many people around the world with a shared passion. Many friendships are made this way. Hobbyists still go through the learning curves of their art, just like someone in business. they just don't focus on the profit side.


    Marketing:
    I have been asked on numerous occasions how I get my commissions and also the shows I do. One simple yet complex answer I guess..... You need to put yourself in the market place.... you need to show your wares to people who can either buy from you, or most importantly guide you to a selling venue. You need to create a following. You need to wear your own product, that way it evokes conversation from people you meet. You need to be prepared to donate items. You need to market yourself, your goods and your passion. You need to remain humble, because always talking about yourself doesn't make people want to be in your energy field. You need to learn to listen, for in listening will you understand what people are wanting, even if they don't say the words.

    I have had many students in my classes think that to market themselves, they just needed to advertise. Marketing is so much more than just advertising. It is one of the biggest players in this thing we call commerce. It is a branding. Whether it be online or bricks and mortar. Without marketing it would be an uphill battle and a very expensive one. Although you will have to invest time and also some dollars in marketing, it will almost guarantee you ongoing success, alongside hard work and tenacity. It is the promotion and selling of products or services which includes market research and advertising with a view of helping reach a wider customer base. It also involves the strategy to use in sales, communications and business development.


    You are building a brand and every contact must reinforce what you want to say about you, your business and its product. This includes everything from how you answer the phone to how you use promotional materials. Business owners who have little experience of marketing do not always take this broad a view of marketing.Typically they think that advertising equates to marketing. But it involves a whole lot more than that.

    If marketing is not your strong suit, find a small business coach that specialises in marketing. It's easy to learn about marketing from a book, but it takes years to master, so it may pay to initially invest in professional help. 

    This is by no means a conclusive body of information. I could sit and write more information for you, sadly space is limited. But I hope I have given you enough to enable you to research these components of business, as well as much more for yourself. To help you grow your businesses, and to become profitable. Whatever that may mean to you.

    And finally, however you wish to pursue your creative endeavors, remember one thing - enjoy it. Enjoy the process of learning and doing. You may not like it at the time, but learn to embrace it, because it will not only give you knowledge, but it will give you strength and freedom.

    Happy Beading!
    Neva

    Creating a Bezel with RAW & Peyote ~ Mikki

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    An early work  from 2010 when I was just starting beadweaving
    By far the most common component in beading seems to be a 'bezelled' something or other, it can be a simple pendant, part of a larger necklace or bracelet or be a feature of earrings and rings.  It's a 'must-have' technique in any beader's arsenal.



    There are many ways to create a bezel but this is my tried and true version.
    You can get a downloadable copy here.



    Tips on Bezels


    · When working on smaller stones omit the overlap. The larger stones need a little give as the peyote rows ‘snug’ the bezel around the stone.

    · With smaller stones work less rows of peyote...work one row in B beads and one row in C beads.

    · If the bezel is too loose add another row of C beads to each side.

    · For thin stones or flat back stones you may need to omit the peyote row of A beads. 

    My polymer butterfly wings had holes to anchor the bezel where the wings dipped in.

    Formula for Circular bezels


    When working with circular stones there is a formula for working out how many RAW stitches you will need.  You will need to know the diameter of the stone.


    Diameter of stone x 2.5  divided by 2 = number of RAW stitches


    This means for a 12mm stone:

    12 x 2.5 = 30  30 divided by 2 = 15 So you will need 15 stitches.


    This means for a 14mm stone:

    14 x 2.5 = 35  Round up to 36.   36 divided by 2 = 18 So you will need 18 stitches.


    This means for an 18mm stone:

    18 x 2.5 = 45  Round up to 46.  46 divided by 2 = 23 So you will need 23 stitches.


    NOTE: If you are embellishing the edge of the bezel it’s easier to work with

    an even number of stitches so you would round up to 16 stitches

    for a 12mm and 24 stitches for an 18mm.




    Winter Wonderland Bracelet Tutorial ~ Mandi

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    I am so excited about sharing this tutorial with you! Last week everyone was all worked up about the snow in the forecast here in Dallas. We got the cold, and the rain, but no snow...Bummer!

    So, I decided to create my own Winter Wonderland with this free bracelet tutorial. It is two rows of chevron chain, embellished with snowflake sequins.



    For a downloadable version of 
    this tutorial click here.

    This is a small preview to give you an idea of what to expect, but why squint when you can download ;)

    Variations and More


    Colorful sequin variation- perfect to go with my "tacky" Christmas sweater.


    I love this design because it's kind of a blank canvas for your creativity. I used round colorful sequins in each intersection to make a bracelet that goes perfectly with my outfit for the Tacky Christmas Sweater Party! To uplevel the sophistication, you can embellish with loch rosens, rose montees, or Swarovski margaritas.


    Big thanks to my PIC, Ralonda Patterson, for creating the graphics. I have never had so much fun with a kit until I made her Hook, Line, and Sinker fish kit found here. She has so many fun color options it may be hard to choose! Glub, Glub :)


    Hope you enjoy the tutorial!



    Peace & Love,
    Mandi 


    Val's Beady Gift Ideas

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    What gifts do you buy for a beader?  For non-beaders, it's a mystery!  What is it about those tiny orbs that fascinates us so?  How does one little project explode  into an all-consuming obsession with tiny bits of glass and crystal?

    It would appear to the casual eye that most beaders have all they could ever need and want where beads are concerned but it's an insidious obsession.  We don't just need beads!  We need beady supplies!  Gear!  Inspiration!  If you ask a beader what they really want for the Holidays, he or she will almost always answer that they want more beads or this new beady accessory or this cool tool or something bead related.

    I've compiled a dream wish list of things I'd like to have, from the extravagant to something simple.  Here are a few traditional and also a few unconventional gift suggestions if you're stuck for ideas:

    Gift certificates!  I love, love to receive gift certificates!  Free beads, here I come!  I'm not just talking bead stores, neither!  There are so many possibilities.  Here are a few places I wouldn't mind having gift certificates for:   Barnes & Noble, Books-A-Million, Interweave.com and Amazon.com.  

    Books!  I love books to the umpteenth degree!  Other beaders love books, too!  There are so many fabu books full of beady inspiration and a gift certificate to a book store lets your favorite beader choose the books they'd like!  You can also gift magazines!  Who wouldn't love a subscription to Bead and Button or Beadwork?  

    What book is on my wish list?  Well, there are so many books out there but I'd like to have Jill Wiseman's Beautiful Beaded Ropes .  I so love the rope on the cover!  I'd wear this one for sure!



    Beads!  Well, that's a given.  Even with a whole room full of beads, we never have enough!  Gift certificates to bead stores are among my favorite gifts.  This is a great chance to shop local!  I've received and happily spent gift certificates to my local bead store and I tell you, it's a thrill!  I get so excited over those shiny orbs of perfection!  

    If you can't shop local, hey!  That's ok!  One of my favorite places to buy square hole seed beads and Swarovski crystals is Fire Mountain Gems.  My favorite place to buy druks, seed beads and glass pearls is Shipwreck Beads.  They sell gift cards!  I'll bet most retailers offer some sort of gift card/certificate option.  There are also smaller, independently owned retail sites like Whimbeads.com - so many to choose from!  

    Patterns!  Many beaders love to purchase tutorials, patterns and kits.  Some great resources for patterns are, of course, Etsyand ArtFire.  Among my personal favorite shops are, of course, the shops of my fellow Mavens.  (our links are in the blog sidebars, hint hint).  :)  A few of my personal favorite independent sites are Good Quill Hunting and The Beading Butterfly.  There are so many wonderful sites by my beady friends and colleagues but I can't list them all.  :)  

    Kits!  This is what I'm gifting to my beady ladies this year.  I've designed a project, I'm writing the tutorial, and I bought Christmas themed tins.  I'm putting the beads and supplies they'll need for the project, along with a printed tutorial, in the tins and we will work on them together during our annual gathering.  Another idea for kit containers are those plastic pencil boxes.  They're the perfect size!  Trim a  bead mat to fit et voila!

    If you're working with a more generous budget, here are some dreamy items:

    Bead On It Boards!  I have yet to try one of these very popular little beading boards but some of my friends have them.  Some of the Mavens use them and they look pretty neat!  You can find themhere.  They have little padded bumpers so your beads don't escape and a soft liner that keeps beads from rolling all around.  One day I'd like to try one!

    Mirrix Looms!  Ah, if you've ever dreamed of a fantasy loom, Mirrix is the loom for you!  I personally have one of these (I have the 12" Little Guy loom) and I want another one already!  Seriously, these are the Cadillac of looms.  I've tried many styles of looms in my day and these are phenomenal.  They have ultra adjustable tension and that's so hard to find with other looms.  They have a shedding device available with most models and oh, I love it! They also have an accessory kit for no-warp-ends weaving.  They work double duty as tapestry looms and beading looms, they're made in the USA and they have all sorts of accessories and sizes to choose from!  When you buy a loom, you become part of their community and can participate in weave-alongs and group forums and you have access to classes and videos.  Seriously, love!  You can find them here


    This is the one I have:  12" Little Guy with Shedding Device

    A Tablet!  For those with a healthy budget:  This is the information age and tablets and e-readers are wonderful tools for beaders!  One of my students brings her Ipad to my classes with my tutorials on it.  


    I have a Nook tablet and I love it!  It holds my .pdf tutorials so if I wanted to take one to a class I'm saving paper.  I have several years worth of beading magazines that were converted to digital format on my Nook.  

    Interweave sells whole year compendium volumes of magazines like Beadwork and they work wonderfully on my Nook.  You can also buy digital subscriptions to Bead and Button (at a lower price than print, too!) from Barnes & Noble's website.   Remember those aforementioned gift certificates?  You can buy beady Nook books, too!  Amazon offers many of the same books and magazines for their Kindle.  I'm seeing a lot of lower cost tablets and many look really nice!  You can download Nook formatting software so your Nook books will work on laptops.  I'm theorizing it would work on these other tablets, too.  

    A Book Stand!  Yes, I seriously want a great book stand, preferably one in wood.  It's a great prop for my Nook or for a beading magazine, too!  Some stands have page holders so your books don't close up.  It's something you don't think about but think how much of a help this could be while beading!  It's definitely a "want" for me.  Look at the variety I found on an Amazon search for book stands!

    This post is getting very wordy so I think I'll leave with one final suggestion, something that all beaders want and need and love:

    Storage!  Bead storage is something that we all inevitably get obsessed with.  I get so excited when I stumble upon a new storage system!  My fellow Maven, Mikki recently purchased a new system and she loves it!  She found her bead storage system from Bead Storage Solutions here.  There are more accessories that go with this system, too!  Whichever system you find, I'm sure you will make your beader very happy. 

    If all else fails, cash is always widely appreciated, hah!  :)  I hope I've given you some great ideas here.  

    If you have any gift ideas I'd love to hear them!  I wish you and yours the very happiest of Holiday seasons!  ~Val

    I've not been compensated in any way by any company or product that I've listed here.  This post represents my own personal opinions.  :)





    Guest post- Ralonda G. Patterson

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    Wild and whacky sporting red pigtails and a chicken shirt is the picture that comes to mind of today's guest blogger, such a fun personality that also shows in her work. From her adorable fishies to her amazing dolls it's all about personality and story. I am thrilled that she accepted my invite to guest blog so you can all meet her and her characters and also know about the amazing opportunity to create your own with her at next year's Bead Fest Texas. So here is 

    Ralonda G. Patterson


    "Hook, Line, and Sinker"
    Click on the name to buy a kit or tutorial for the fishies


    How it all began:

    The love of beads began for me many years ago when I discovered that a doll could be covered with beads. Because my beading journey began with dolls and not jewelry, there was always a question in my mind if they were enough, if they were qualified or were as good as all the intrinsic beaded jewelry that I saw around me. All of those beautiful pieces had a definite purpose as wearable art. Seeing pages of jewelry in magazines made me really wonder if my dolls had a place in the beading community. Intimidation did not get the better of me.


    Purpose:

    I later learned that each doll had a purpose too and it was different for each artist and sometimes even different for each doll. Some of the dolls are beaded to express a love of someone who has passed on, or to tell the stories of our deepest or most sacred beliefs or visions. Because the function of each doll is so different, the boundaries of function are blown off the roof. They do not have to be practical, pretty, functional, or balanced. To me, dolls are story tellers and a beaded doll shares his/her story with the added dimension of beads. The beads lend more detail when they are beaded as thoughtfully as a good book is written.


    Freedom of Expression:
    Starting to bead on a project that has few boundaries really allows you to gain skill and confidence in bead artistry, and come to know it as an art. Problem solving and creative solutions become a new skill set that aids in creation and design. Because each solution comes from a unique you, the story becomes entirely your own. There is no wrong way to bead a doll. You can take whatever beading or sewing skills you have and express your very own story with your own voice.



    “Willow” Bead Dreams Finalist 2010

    Published in the Gallery of “The Spirit of Bead Embroidery” by Heidi Kummli


    Other Beadwork:
    While creating dolls, my knowledge of many stitches grew and new designs with challenging structures began to emerge. The dolls always posed structural challenges, but beading without a form was another challenge that was quickly explored. Many of my most recent designs have nothing to do with dolls, but the structure of each piece is what led me to think of myself as a creative engineer. Pieces that have self supporting structure and movement make me giddy. It is most often these classes that are chosen by different venues, so teaching a doll class is still a great treat.

    "Dreidel"
    Classes are still being scheduled!
    Getting Started:
    Choosing or creating a doll form may be the most logical place to start but I begin even earlier in my process. In order to stick to beading the entire doll without losing focus. I suggest beginning with an intention or vision of what you hope your doll will become. The form will grow from this direction. For example, if you intend to create a doll to heal the wound of a beloved fur-baby’s passing, then you would search out a form in his or her shape, i.e. a cat or dog. Forms should be made of a stitch-able fabric and should be very firm. If you find a form you love but is not ideal you can make alterations to it. If it is too soft, you can stuff it more firmly; Or, if the form has long “fur”, you could trim it. Pre-made forms by toy companies are acceptable but lack the finer qualities of a good handmade form.



    Human doll form

    Inanimate object form

    Lady Bird, Pearl, SteamSqueak, and Effy
    Each doll represents a time and story from my life and they all
    represent more than one now that time has passed since their birth.
    Work with me:
    Ever since creating my first doll “Nite” for the Land of Odds  All Dolled Up Beaded Art Doll Competition in 2004, I have been creating doll forms and beading art dolls. Learning how to combine contemporary beading stitches with the age old art of doll making has become the foundation of a class that includes artistic expression. Now, all my knowledge had been combined and organized into a two day workshop to give beaders the opportunity to really dig deep with me. Having taught shorter Beaded Art Doll classes, I am looking forward to having more time to encourage students to express their artistic visions through the magical story telling dolls possess at Bead Fest Texas 2014. A work of art will be born. Won’t you join me?




    ATTENTION to Tension

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    Recently I followed a pattern to make an item that other people had also made. When I had finished making my piece, I noticed how my item looked in comparison to the ones made by others.


    What were the differences in mine to the others?  Tension, tension, tension


    How do you get good tension?

    It is all in the way you hold your thread when beading. I notice with beginners they have a tendency to sit the work on their bead mat, place the bead on their needle with their left hand and then pull the thread through the beads. There is absolutely no tension kept on the work at all.


    I immediately tell them to pick it up and I show them how to hold the work, hold the tension and  pick up beads with the needle.


    I hold the needle in my right hand and the work between my thumb and index finger in my left hand with the thread placed over the index finger. The image shows how the thread is draped over my index finger and the middle finger is holding that in place and keeping the thread firm.


    As I place new beads and pull the thread through the work my middle finger lifts up then comes back down to my index finger to hold the tension in the thread. Not keeping that tension makes your work loose.


    Sometimes I want a very firm tension so I give the thread a good tug and the middle finger lifts and drops into play to hold that tension in place. It becomes all automatic like machine parts doing their job.

    Drawbacks in too tight a tension

    There are beaders who are unbelievably tight in their tension, how they do that is beyond me. I often wonder if the thread is hurting their hands. The difficulty with super-tight tension is

    * you have problems getting the needle through the beads as there is no room for movement
    your work can end up looking stiff and not move nor curve how you want.
    * too stiff causes threads, or beads, to break and the work may come undone.


    Personally, I achieve good tension by sewing my work twice. It is just what I do. I found early in bead-weaving that with sewing twice:

    * beads sit better

    * you can see the bead pattern

    * the work feels better

    * less chance my work gets pulled out of shape if I snag my thread

    * added strength to my creations, they won’t fall apart

    * an overall better look and presentation of the finished product.


    To the right is an image of two right angle weaves. One has been sewn once each step and one has been sewn twice each step.  Both are an  8 rows wide x 4 rows high RAW.

    Just by looking at the samples it is clear which sample has been sewn twice. You can see the lay of the beads very ordered and firmly in place. If you were embellishing the twice sewn sample you would know exactly which beads to embellish into as the pattern is obvious. Less risk of your work going out-of-shape because everything is firmly in place and has two threads keeping it that way.

    But it goes further than that, picking these samples up and comparing the feel you notice the twice sewn sample is more substantial and how the once sewn sample is floppy/flimsy. If you were a customer buying, I am sure you would take the one that felt stronger and the most substantial.


    Exceptions to the to rule


    If I am making a spiral rope, a peyote band, netting etc  I don't sew these twice so there are exceptions.
    Recently Mikki Ferrugiaro posted her video on her rolled peyote edges bangle. In this video Mikki shows how soft tension is necessary when doing her pattern for her bangles. Click on the link to see her sew with a loose tension and get the idea. Also take note on how Mikki holds her work and thread.


    Another time you need soft tension is with fringing. Fringing needs to swing and sway in the jewellery design so a soft tension is required. I have found FireLine too hard for a soft fringe and I recommend Nymo for fringing as it is much softer. I am sure there are other products but not being much of a fringing person I have not tried them.


    I do not wish to give the idea that tight/firm tension is the 'rule' for beading but rather a 'guide'. Learning how to do all types of tensions and knowing when to use them is important. Often the tension relates to the design. For instance when sculpting with beads multiple sewings and tight tension is definitely required.

    I urge you to experiment with tensions to discover what works for you, along with seeing how your finished items appear with a firm tension. If your fingers have difficulty holding the thread firmly then get into the habit of sewing twice. Also, I urge you to know when to use the varying tension types to achieve the look you desire in your work. When you have these skills and know what works for you, then be surprised at how much better your work looks and feels.  The difference in your finished creations will also be noticed by others. 

    Happy Beading.

    PENSAMIENTOS BRACELET by Aurelio

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    This month's free tutorial comes from Aurelio :)
    Please respect copyright and do not share this tutorial....feel free to tell your friends to visit the blog.

    For a downloadable copy go here.



    PENSAMIENTOS BRACELET
    By Aurelio Castaño








    Materials
    This bracelet will be one half inch thick, 8.5 inch long when finished; it would fit a 7.5 inch wrist.


    -11/0 Toho seed beads, 10 Gr.
    -7mm pressed button flowers, Approx. 150 Beads.
    -4.8 mm thick cord, I used one foot for this project.
    -Magnetic clasp, Brass Magnetic Swivel Clasps, Silver, Size: about 10mm in diameter, 18mm long, hole: 8mm.
    -Size 10 or 12 beading needle
    - Fire line tread, White 6 Lbs
    -Beading mat



    Step 1
    On a comfortable length of thread, insert three sets of Three size 11/0 + one flower.


    keep a tight, uniform tension throughout the piece.

    Step 2
    Tie the beads securely with a square knot; I usually tie three knots on top of each other to secure the stitch.








    Step 3
    Going from right to left, go through the flower next to the knot and the first size 11/0 bead next to the flower.







    Step 4
    To start the second round, pick up one size 11/0 bead + one flower+ two size 11/0 beads, go through the first size 11/0 bead on the next set of beads continuing right to left motion.




    Step 5
    Repeat as in Step 4.

    Step 6
    This is the Step Up if you will, once you finish with step 5, pick up one set and go through the first 11/0 bead on the first set on the second row as I explain on the graphic.


    Repeat steps 4 to 6 until you reach the desired length.




    Step 7
    Diagram shows how the cord goes all the way through
    the beaded work after the beaded work is done.



    Step 8
    Sew the edge of the beaded work to the inside cord. Calculate how much cord will be enough to put inside the clasp cavity, cut the excess.


    Step 9
    Using E-600 or Epoxy, glue the cord into the clasp cavity, let it cure for at least 12 hours.


     

    Happy New Year!

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    Just stopping by to wish everyone a Happy New Year and tell you a little of what we have planned for 2014.


    A new year, a fresh start, so January is going to be 

    Back to Basics Month

    Starting tomorrow each Friday and Tuesday we'll be bringing you tutorials of basic bead weaving stitches along with a little video to show you just how and some tips and tricks.

    Of course we'll end the month with tutorial from Neva Brown so you'll get to use some of those techniques you may have picked up in the month.

    We hope you'll stop by and bookmark us so you can have easy reference 
    at your finger tips.


    Cheers, Mikki


    Back To Basics Month

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    As this is a new year I thought we might take the opportunity to start at the beginning and cover the basic stitches with both a printed version and a video version.   So, throughout January I'll be adding to our bead weaving tutorials for beginners and maybe there will be some tidbit new to our more experienced beaders.

    Today is Peyote Stitch, which although we have covered this before I go over a couple of tricks in the video that I've been asked for.



    Download the Peyote Stitch Printout here.





    Download the video here.

    Please excuse the crunching noises on the video....my dog Bella came back from her sitter early and decided to have a snack right as I was taping :)
    But...as you can see....I have to forgive her as she's so dang cute.



    Back to Basics : Ladder Stitch & Herringbone Stitch

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    Our second installment of Back to Basics contains two stitches that are often used together, Ladder Stitch which is often used as a base for other stitches like, as we show, Herringbone Stitch.

    So first up....Ladder Stitch




    And Herringbone Stitch


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